In her first feature, I Shot Andy Warhol, Mary Harron remembered the craziness of the '60s. With her adaptation of novelist Bret Easton Ellis' satirical gorefest, American Psycho, she coolly captured the money-driven insanity of the '80s. From our print issue archives, and appearing online for the first time, is this Winter, 2000 cover story: Peter Bowen talks to Harron about social satire, interior design, and Leonardo. In 1991, Bret Easton Ellis' satirical novel American Psycho caused a minor ...
In her first feature, I Shot Andy Warhol, Mary Harron remembered the craziness of the '60s. With her adaptation of novelist Bret Easton Ellis' satirical gorefest, American Psycho, she coolly captured the money-driven insanity of the '80s. From our print issue archives, and appearing online for the first time, is this Winter, 2000 cover story: Peter Bowen talks to Harron about social satire, interior design, and Leonardo. In 1991, Bret Easton Ellis' satirical novel American Psycho caused a minor ...
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